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Episode 10: "The Will to Adorn" by Seth Parker Woods

Premiered July 30, 2020

Join us on Thursday, July 30th for Part II of Spinning Home Movies’ special Summer Jam Edition, featuring a 30-minute set of vintage home movie footage from the South Side Home Movie Project digital archives curated and sound-tracked by cellist Seth Parker Woods. With a nod to Zora Neale Hurston, Parker Woods’ mix “The Will to Adorn” layers his own original compositions, performances and field recordings from Yellowstone National Park, archival audio from the home movies, and recorded music from indie and big label musicians over vivid, poignant home movie scenes to create three distinct movements: “Life Before,” “Forces in Motion” and “Lemons into…” With film clips spanning five decades, and sounds ranging from “Yellowstone loons calling” to Alice Coltrane, this uniquely complex episode traces an evolving sense of intimacy.

Presented with support from the Center for the Study of Race, Politics and Culture (CSRPC) and Gray Sound Sessions at the Richard and Mary L. Gray Center for Arts and Inquiry.

watch the premiere

Watch the premiere to see Seth's interview with Jacqueline Stewart, reactions from the audience, and the post-show Rewind with the artist, home movie donors, and APL and SSHMP team.

watch the live stream

Episode details

With a nod to Zora Neale Hurston, Seth Parker Woods’ mix “The Will to Adorn” layers his own original compositions, performances and field recordings from Yellowstone National Park, archival audio from the home movies, and recorded music from indie and big label musicians over vivid, poignant home movie scenes to create three distinct movements: “Life Before,” “Forces in Motion” and “Lemons into…” With film clips spanning five decades, and sounds ranging from “Yellowstone loons calling” to Alice Coltrane, this uniquely complex episode traces an evolving sense of intimacy.

ABOUT THE ARTIST

Seth Parker Woods

Hailed by The Guardian as “a cellist of power and grace” who possesses “mature artistry and willingness to go to the brink,” cellist Seth Parker Woods has established a reputation as a versatile artist straddling several genres. In addition to solo performances, he has appeared with the Ictus Ensemble (Brussels, BE), Ensemble L’Arsenale (IT), zone Experimental (CH), Basel Sinfonietta (CH), New York City Ballet, Ensemble LPR, Orchestra of St. Luke’s, and the Seattle Symphony. A fierce advocate for contemporary arts, Woods has collaborated and worked with a wide range of artists ranging from the likes of Louis Andriessen, Elliott Carter, Heinz Holliger, G. F. Haas, Helmut Lachenmann, Klaus Lang, and Peter Eötvos to Peter Gabriel, Sting, Lou Reed, Dame Shirley Bassey, and Rachael Yamagata to such visual artists as Ron Athey, Vanessa Beecroft, Jack Early, Adam Pendleton, and Aldo Tambellini.

In the 2021-22 season, Woods joins the faculty at the University at Buffalo as a Distinguished Visiting Scholar and Visiting Professor. He previously served on the music faculties of the University of Chicago, Dartmouth College and the Chicago Academy of the Arts. He holds degrees from Brooklyn College, Musik Academie der Stadt Basel, and a PhD from the University of Huddersfield. In the 2020-21 season he was an Artist in Residence with the Kaufman Music Center, and from 2018-2020 he served as Artist in Residence with Seattle Symphony and Creative Consultant for the interactive concert hall, Octave 9: Raisbeck Music Center.

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